Tuesday, 27 December 2011

A Hiding Place

Mark wakes up at 1:30am and looks at his boyfriend Paul who is sitting at the desk where their computer is, snorting a line of bluish-white powder; his face lit by the pornography that he’s watching online.

“So are we going out?”

“I guess …”

Twenty minutes later and Mark’s washing his hands in the bathroom with the light off.

Thirty minutes after that and Paul and Mark are sitting in a cruising bar. The only real light is from a set of small red bulbs in the middle of the room, where the drinks are served. Occasionally they’ll see a face that they recognize or someone will recognize them but they keep it low key and just nod.

Paul stands up and finishes his drink. He starts walking towards the darkrooms, where the majority of the sex happens. Mark walks behind him and brushes a hand against the back of his jeans as they walk in. It accidentally feels like a reminder.

You have to train your eyes to the dark. Eventually you can flesh out shadows with features but it’s still vague. Someone starts to kiss Mark. A hand slips up his t-shirt. He reaches to the side to check that Paul’s still there, which he is. The same person has a hand planted round Paul’s crotch – Mark’s fingers trace the arm down to Paul’s jeans, which are still fastened. Paul moves suddenly, which makes Mark move too – his hands feeling out the wall behind him. It dawns on him how high he is and how much he’d been relying on the light for balance.

They push though a set of plastic strips that separate the first darkroom from a small area split into six cubicles, some with glory holes and some without. It’s still dark but there’s a dim glow and it’s not as black as the room that they’ve just stepped out of.

The way that the space is split with a slim corridor running between the cubicles reminds Mark of a level from a computer game and the fake industrial pipes on the wall add to it. A guy stands at the end of the walkway, with two cubicle doors either side of him, his hand resting on his belt buckle. Paul walks towards him and Mark follows. The man leans forward and kisses Paul. Paul puts his hand back and holds Mark’s, which surprises him. Mark touches Paul’s back. He realizes how thin he’s got. He runs his fingers over Paul’s shoulder blades. The guy kisses Paul harder, and pulls him forward, holding the sides of his head. He starts sidestepping into one of the cubicles, guiding Paul as they kiss. Paul lets go of Mark’s hand and follows the guy in. They close the door.

Mark hears a belt being undone and sped up breaths in between the kissing noises. A hand touches Mark’s ass. It reaches round and starts feeling the front of his legs and then his dick, which isn’t hard. Someone starts kissing the back of his neck. Mark closes his eyes and turns round. He lets the stranger steer him towards a cubicle. Mark holds out a hand for balance. When it brushes against plastic he realizes he’s been led back into one of the darkrooms; he opens his eyes but it’s pointless: there’s nothing.

He trips but stays on his feet. The floor feels sticky. The guy who brought him in is rough. Mark feels stubble scrape against his cheek as the guy starts kissing his neck again. Mark can feel the guy’s heart. It’s going fast. Hands run up and down his back like he can’t decide what to do with Mark or what to do first. Mark’s head bumps against a wall. His belt is unfastened clumsily. A hand covers both Mark’s wrists and holds them up against the wall. A tongue fills his mouth, pushes the back of his front teeth uncomfortably. Another hand goes up Mark’s t-shirt. Someone else is pulling his jeans down round his ankles. Something’s pushed in his face, bending his nose, a hand with a bottle or a tube or … Mark snorts whatever it is and a fast daze lands quickly, blurring the nothings further. His head nods onto his right shoulder but is quickly pulled back up again and kissed hard. He’s bent over. A finger muddles round his ass. That finger quickly becomes a cock. Mark makes a sound somewhere between a cry, a choke and a cough as whoever’s dick enters him. There’s no condom. Someone else is pulling at Mark’s hair. His scalp feels tight. The guy fucking him does it hard. It hurts. Two cocks try and get into Mark’s mouth, vying for space. He can feel another couple rubbing against his stomach. He feels the stitching of his t-shirt rip under one arm. It sounds like he can hear crying – the guy fucking him? – but the music seems so much louder now. Repetitive beats and someone singing something about needing someone forever till the end of time. It’s hard to make out anything else. The cock isn’t in him anymore. Mark’s on the floor. He remembers falling as it actually happens. Time’s a mess. He’s too high. Someone’s shouting. The beats of the song begin to stretch. Things are a lot heavier. He’s pulling his jeans back up to his waist. It takes effort. More than you’d think. Stuff is dense – stuff like air. Mark’s nodding out and he’s being fucked again. He opens his eyes and he’s back on the floor. There’s a synthetic taste in the back of his throat, like gone off medicine. He feels a vibration in his pocket. He reaches in to get his phone. He realizes how wet his hands are and wipes them on his leg and takes the phone out. He presses a button and the small blue rectangle that’s from a friend he hasn’t spoken to for in a few days and that says: hope yr ok. xxx is such a contrast to the darkness that it lights up the room for two seconds. Through a squint Mark sees a heavyset guy in his fifties buttoning up a shirt, a guy in his twenties leaning against a wall with his eyes closed and playing with his dick and trying to make himself hard, there’s two older guys standing close to each other with their trousers down, some others too, but the light soon leaves.

Mark makes his way back into the bar. The sudden amount of clear space throws him. He orders a drink and can’t tell if the guy behind the bar is looking at him weirdly. He tries to make better eye contact, but that makes it worse. He’s still squinting. When he scratches his nose his had comes back with blood on it. He thinks he can here Paul being fucked but it might just be the music. Things feel knotted.

Sunday, 3 July 2011

GRAVES



My new new novella, GRAVES is available now via Kiddiepunk.

ABOUT GRAVES:
Obscured by longing and haunted by regret, the characters at the heart of GRAVES are desperate for a once familiar solace that now seems long gone. A married couple mourn the disappearance of their youngest son while his older brother attempts to escape his own guilt whilst he watches his parents’ relationship erode amid sadness and frustration.
Set over several years and seen through the eyes of various unidentified narrators, GRAVES maps out the hazy and painful impossibilities of memory and loss.

For more information and to buy a copy of GRAVES, click here.
To read an interview conducted by Jesse Hudson, in which I talk about GRAVES, click here.


A long overdue update.

OK, so it's been a long time since I posted here. It was a strange time. To be honest I'm still not sure what I'm going to do with this place. I put a lot of work into this blog over a few years, and I'm very proud of it. Whenever I look at it though, at the moment I still see a lot of bad memories and the place feels a little haunted in a way. To be honest, it feels quite strange just typing this and looking at the format and layout of the backroom of Blogger - something I haven't seen for a long time.

I've recently started blogging again, this time over at Transductions. As for this place, I do feel an urge to try and do something with it and continue the work that I was doing here before. I think I just need a little bit more time to work out how I want it to continue and what I want to do with it. Hopefully I'll have that worked out soon.

In the meantime, there are a few cool, exciting things that I've been involved with recently. There are some good things coming. I'll post about one in the next post on here.

Love

TM xx

Friday, 23 April 2010

My dad died this morning. I won't be posting for a few days.




Thomas

Danielle

that mothering instinct
felt floor mesh beneath
wires and scratches
there's a view from
a window that shows
half the street
stripes of clouds
like tv interference
arrows pushing into
each other
continuous strain
missives sent
between large
bars left to
provoke fear
anxious lines of
ex innocence
trained this way
left with new skies

Thursday, 22 April 2010

Where I left you

I’d been standing
at the urinal
for a long time.
It was a giveaway.
The man two spaces
away had been there
when I arrived.
Even more of a giveaway.
When whoever was washing
his hands behind us
buzzed them under the hand dryer
and left,
I clocked my neighbour
without turning my head,
letting my eyes
not so secretly point
diagonally down.
I left when I guy
Came in with his
Daughter, didn’t want her
To go into the Ladies alone.
I got out, thought about his wife.
Later I was in taxi
Home from a friend’s.
I made up things about my life
That never happened.
The driver told me about people
Who’d he’d picked up
In recent nights.
He assumed a couple of
Things about me, which
I didn’t put right, so
Ended up telling me
How he’d got a handjob
From a girl who didn’t
Want to pay, said he
Could do that everynight,
And that he’d die in
Poverty but full of
The horn.
I guessed he was making
Up stuff too.

Wednesday, 21 April 2010

Too kind

My hands were shaking
Felt blood
Rattling round like
It had turned solid
Vomit hints in my neck
Piss cracks through
The leak in my shoes
Recognize that gaze
Shifts in bravery
Turns at trembling
Slides over
Make the most of this
Leave when the breath
Feels too kind